Welcome to the blog of Rasam Production's Rob Shaw (The Producer), charting the evolution of the opening to the new feature film "Wrenched", jointly produced with Sam Pollock (The Director) and Asa Newmarch (The Cinematographer). Here is a link to our final cut! There are various short videos and vod/podcasts right here on this blog! Enjoy, and please feel free to comment/add suggestions! Remember there are links lists on the side of this blog to make it easier to navigate to useful posts!

Thursday 10 February 2011

RS - New Working Title + New Narrative

Firstly we have changed our working title to "Wrenched" the reason for this is because a wrench is used as the weapon in our film. The name has not been used before (we cannot see any with the same name on IMDB) and it fits in better to our narrative than our previous workting title.


After recieving feedback on our rough cut and sample footages we came to the decision to alter the narrative/synopsis of the film to make it a bit more understandable, the mise en scene work better and maybe tweak a few problems we had.

I have also got persmission to use Jem Whitehead's band The Feedback music, this music will be played on the radio/cd player that the man in the garage will be listening to.

The ideas we have come up with for the new narrative are:

· Fade into a shot of a rural location, possibly on a high hill (To anchor the location)
· Fade into a long shot of a house, with a garage to the side of it. Rock music playing quietly in the background, signifying it is coming from the garage and someone is in there.
· POV shot tracking up to the house, music getting slightly louder
· The POV shot gets close up to the house; you then hear a car engine “failing” noise coming from the garage. The camera pans around to look at the garage door.
· Close up of a wrench being slammed onto a work surface
· Man working on the car shouting “god dammit” signifying he is frustrated with the car not working. The music is now full volume linking to the man’s emotions.
· CU and LA of someone’s feet walking around in the garage (the shot will be under the car)
· CU of a dirty oily hand opening the car bonnet
· The man picks up a half empty, dirty mug of coffee, he spits the coffee out because it is too cold, and slams it onto the work surface.
· Possibly a couple of shots with the man in the boiler suits hands over the bonnet, or his head under the bonnet at work.
· We will experiment with a few more shots for coverage and then decide on what else to add the day after.
· The music then cuts (the girl has turned off the music)
· The man hits his head against the bonnet of the car, because he is surprised to hear the music stop, so he looks up from the engine, but hits his head in the process.
· The man says something such as “Bloody hell, you made me jump there lass” We want the man to have a Yorkshire accent, because the stereotypical Yorkshire man is a dirty, smelly farmer.
· There will be a shot reverse sequence; however we will conceal the identity of the man for narrative enigma signifying he is the killer.
· The Girl replies with “Sorry for making you jump like that, are you okay? I just wanted to know if you wanted another cup of tea. My step-dad called and he wanted to say he will be another 15 or so mins”
· The man replies with “Ahhh smashing lass, yeah that would be grand. Do you mind if I nip to the loo to wash my hands?” This then cuts to a CU of the man’s dirty/oily hands.
· She replies with “Yeah, that’s fine, its right at the top of the stairs, I’ll just be in the kitchen”
· We see someone pick up the wrench when they exit the room, however we don’t see who has taken it for narrative enigma.
· It fades into a high angle shot of the girl filling the kettle with water and then her putting it onto the stand, then an ECU of the kettle light turning on.
· CU of the man’s hands being washed and steam from the tap (links to the kettle boiling)
· Cut shot back to the kitchen, and the girl is laying out a mug and dropping the spoon into the mug with coffee on it, foreshadowing something.
· Cut back to the man in the bathroom which is empty, we hear a quiet sound of a draw opening in the background
· Cut shot to into the hallway, a POV shot of someone opening the door slowly and we see the man’s arms.
· Cut shot again to inside the room and a drawer opening, we see the item in the drawers, women’s underwear.
· CU of clean hands rummaging through the drawer.
· Cut back to the girl in the kitchen, camera close to the kettle so we can see that it has nearly boiled. The girl is in the background putting the coffee away.
· Cut back to the bedroom, a hand picks up a pair of knickers, the shot stays with the knickers out of shot (as if being brought up to the man’s face) we hear a loud sniffing noise.
· Cut back into the hall with the door being slowly and carefully closed
· The man goes back into the bathroom to wash his hands, he reaches for a towel, and we see a masked figure in the mirror stood behind him.
· CU of hand holding the wrench, and it being flung towards the head.
· ECU of the kettles light going out and the kettle finishing.
· We hear a loud crash on the floor.
· The shot stays in the kitchen and we hear someone running down the stairs
· And finally a loud scream

1 comment:

  1. sounds good!
    i wouldn't show the wrench being picked up, just include a shot including the workbench, now without wrench
    also, have you figured out the final shots with the boyfriend coming in?

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